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Subdominant parallel : ウィキペディア英語版
Subdominant parallel

In music theory, the subdominant parallel is the relative to the subdominant and is thus considered to have or fulfill the function of the subdominant. The term is derived from German theory and the writings of Hugo Riemann.
Thus in C major the subdominant is F, whose relative key is D-minor (otherwise considered the supertonic of C) and called Sp.〔Haunschild, Frank (2000). ''The New Harmony Book'', p.47. ISBN 978-3-927190-68-9.〕 In C minor the relative key of F-minor is Ab-major (or submediant of c) and abbreviated sP.
==See also==

*Chord substitution
*Riemannian theory

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